I have now done so with childlike enthusiasm and it thrills me to proclaim it the masterpiece others have hailed it to be. It sat patiently waiting for me to crack its binding day after day. It was hailed by the San Francisco Chronicle as “A supremely accomplished work of art, marvelously crafted and enjoyable and rich in historical detail.” Along with every rave review given me, by friend and internet alike, its biggest selling point was its longevity on my shelf. When I began this year-long pilgrimage of bettering myself as a reader I chose Perfume to be my first conquest. It was gifted to me many years ago and occupied a space on my shelves, its beautiful yellow and orange cover always catching the eye. Perfume, The Story of a Murderer by Patrick Suskind isn’t the type of novel I would willingly seek out. The sight had horrified him, and at the same time, he had to admit, fascinated him, for they all, each in her own special way, had been of dazzling beauty.Perfume, Patrick Suskind, First Vintage International Edition, February 2001, 255 pages, 13.95 US Dollars, ISBN 978-4-5. Richis had seen several of the girls murdered during August and September. No, he was still living here, among the citizens of Grasse, and at some point he would strike again.
To be honest, he had not believed in the efficacy of the bishop’s anathema from the start, nor that the murderer was now prowling about Grenoble, nor that he had ever left town. He went back to his chamber, bathed in sweat and trembling with agitation, no, not with agitation, but with fear, for he finally admitted it to himself: it was naked fear that had seized him, and in admitting it he grew calmer and his thoughts clearer. For further reference, you can go to Perfume : The Story of a Murderer – Book
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